He returned to its more successful sequel in order to expand and refine these ideas. He underscored the futuristic game with industrial and electronic setting themes, tense cinematic cues, and ambient noises. While the game was a relatively simple first person shooter, Miura exploited the capacity of the 3DO to offer a mature CD quality soundtrack. Synergy decided that he was the ideal person to score their next project, Iron Angel of the Apocalypse (aka Tetsujin). He also created realistic sound effects to represent the noise of the machinery and carefully blended them with the music to atmospherically support the environments. In order to represent a mysterious world full of machinery, he created a synthetic score featuring experimental use of technopop styles. ![]() In 1993, Miura worked under game company Synergy Inc. This role provided an inspiration for Miura to start composing soundtracks of his own and he looked for roles in the game and anime industries. He was also involved in the performance of Araki’s theme songs for the anime adaptation Hayou no Ken: Shikkoku no Mashou, released in 1992. Handling all the synthesizers on the major album releases Karajan, Baby You Cry, and Bacchus, Miura helped to define the artist’s light rock and sentimental pop style. ![]() Soon enough, he was taken on as the synthesizer operator for the popular male pop artist Makihiko Araki between 19. The artist was educated in composition and sound programming at university and looked for a job in the pop music industry after graduating. He also developed a love for fishing, which continues to be his primary hobby to this day. Born on February 2, 196X in Sagamihara, Miura enjoyed a range of music and learned to play the piano from a young age. ![]() Norikazu Miura is an employee at Konami’s Tokyo branch best known for his work on the Suikoden series. Suikoden, Gradius Gaiden, Shadow of Destiny, Tetsujin
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